VIDEO: The top 9 new women’s watches from SIHH
If I’m completely honest, women’s watches aren’t my speciality, largely because they tend (notable exceptions aside) not to look the greatest on my fairly hairy 21cm wrist. But luckily — and thankfully — Sandra Lane is on the team. So rather than flounder my way through the intricacies of stone-setting and satin straps, I defer to Sandra’s insight and expertise. And what better setting for this than that most exclusive of Maisons (and SIHH newcomer) Hermès. Ironically enough, the Hermès Sandra opted for, the Carré H, isn’t a feminine model per se, but when it comes to some of her other picks — from the likes of Van Cleef & Arpels, the below Parmigiani Fleurier, and Audemars Piguet — there’s no doubt they’re intended for women’s wrists.
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If you know a little bit about how the world of watches works, you’ll likely know that it’s a space dominated by a few big groups (namely Richemont, Swatch and LVMH), each with their own stable of brands. SIHH is a show dominated by Richemont brands — big names like Cartier, IWC and Montblanc. But they’re not the only show in town at the Salon. Some larger independent brands, such as Richard Mille, show as well, as do a a select group of smaller names. These smaller names — low in production numbers but high in quality, innovation and prestige — congregate in the Carré des Horlogers, an opulent cul-de-sac, populated by some of the most exceptional (and expensive) watches at a fair all about exceptional (and expensive) watches. Who better to show us around than Andrew and sometime contributor and full-time indie-lover Justin Mastine-Frost. Over to you, Justin …
A. Lange & Söhne is a serious watchmaking brand. Everything they do is deliberate, and relentlessly on message. It would be easy to assume — based on this and the generally traditional nature of their timepieces — that the German brand is sober to the point of dullness, but the reality is exactly the opposite. Not only are their press presentations amongst the most consistently amusing (and informative) I’ve ever attended, but the watches themselves have fully fledged personalities that are anything but boring. Take the Saxonia Thin in Copper Blue. The Aventurine dial is fun, endlessly fascinating, and a perfect match for the minimal Saxonia model. Then there’s the Little Lange 1, a pint-sized model offered in three confident, but not over-the-top, colour schemes. And then there’s the Triple Split. Of all the A. Lange & Söhne 2018 releases it’s the one that, for me, most epitomises the values of the brand. Sublime watchmaking, made not to meet a clear and pressing need, but simply because they can. And made with such a sense of style and panache. Wunderbar.
