The Louis Vuitton Tambour Curve Flying Tourbillon Poinçon de Genève is an unabashedly large futuristic dark metropolis under sapphire. I see an angular maze-like horological architecture within an organic patterned cutting-edge composite case. Hypnotised by the 9 o’clock rotating magic of the Flying Tourbillon you’ll notice it being delicately cut into the dark and recognisable structure of the LV logo. The dial – or is it the movement? The dial complexity is such that the LV signature – bold and large within an intriguing depth of openworked haute horlogerie — becomes a natural part of the movement architecture. It is almost as if the movement construction itself has dictated the shape of the recognisable overlapping L and V. This is, in my humble opinion, easily the best integration of a logo within a dial for the last 10 years, but this watch is so much more than what merits this irrelevant prize. If we work our way in from the bezel-less design, we have a discreet dark sweeping rehaut, which is a reminder of Louis Vuitton’s luck of the draw – the only manufacture with exactly 12 letters in their name, elegantly substituting the hours, engraved and lacquer filled. The Geneva…
The post HANDS-ON: The dark traveller, Louis Vuitton’s Tambour Curve Flying Tourbillon Poinçon de Genève appeared first on Time and Tide Watches.
