In-Depth: Chronograph Vs. Dive Watch: Which Is More Practical For Real Life Timing?
Both were borne out of necessity, but is one really superior to the other in the rough and tumble real world?
Both were borne out of necessity, but is one really superior to the other in the rough and tumble real world?
Recently, at Baselworld 2017, Armin Strom surprised the world of collectors (and certainly some of the industry participants…) by launching something that, besides being ultra-cool, felt like a natural development, knowing upcoming changes in customers behavior. What they created is an online configurator, in order to imagine, choose, create and order your watch just like you want it. Not a single element can’t be personalized, making sure that your future watch represents exactly your own wishes and personality. Today, we go one step further by playing with one Armin Strom watch that has been entirely configured, to show you how far you can actually go.
Oris adds a small seconds subdial to its popular Aquis line.
We already knew that Only Watch charity auction was able to bring quite cool watches – we already introduced to you several crazy pieces. So when we received the news from Montblanc, and the fact that they were creating a unique version of the Superb (with a capital “S” indeed…) 1858 Chronograph Tachymeter, the idea simply gave us, at the Monochrome redaction, a huge smile on the face. We all love the Montblanc 1858 Chronograph Tachymeter, and its magnificent movement. And when it comes in a unique Bronze Case and Vintage Green Dial version, it becomes just amazing…
Seeing Omega’s 1957 Trilogy 60th Anniversary boxed set in the metal was one of the highlights of Baselworld this year for Andrew, Andy and myself. Not least because we realised that seeing these three pitch perfect reissues in one place ever again was unlikely, given the astonishing demand. And while getting your hands on the big boxed set (limited to 557 pieces) is a nigh-on-impossible task, we suspect getting one of the Speedmaster, Seamaster or Railmasters limited to 3557 pieces each is more achievable. The only question is, which one do you pick? Read on for what we chose, and why. Andy’s choice – the Speedmaster Why I chose it… Aside from being a genuinely handsome watch, I really like how similar the proportions and details are to the original (having tried on both the original and the modern). I specifically LOVE the size, which at 38.6mm, is so close to the 1957 original (ref CK2915), which was 38mm. We so often see tribute pieces with cases that have been inflated over time, when they just don’t need to be. It’s honestly one of my favourite reissues that I’ve seen over the years. Why you should… In my opinion, it’s perfect for all the…
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Last year, Cartier launched a brand-new collection: the automotive-inspired Drive de Cartier. However, unlike much of the brand’s other offerings which have cross-gender appeal, the Drive de Cartier is intended solely for men. It has proven to be a hit the world over, with a case that is neither round nor square. Instead, its elegant curves form a rounded cushion shape, which is unmistakably masculine – but not in a macho kind of way. To use an automotive analogy, it’s less brute Mustang muscle and more the sophistication of an Aston Martin. The crowning achievement of the collection is the Drive de Cartier Flying Tourbillon with its in-house, mechanical tourbillon, caliber 9452 MC movement that’s been hand finished to a high degree to meet the standards of the Geneva Seal certification. However, it’s not just the movement that is impeccable. The dial is a richly contrasting display of satin-brushed surfaces and intricate guilloche finishing. Cartier has created a sense of depth by open-working the outer dial that displays the markings for the hours, minutes and seconds, and exposing the white galvanised guilloche below. Despite the elaborate interplaying layers, the dial layout manages to come across as simple and elegant. The…
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On the occasion of the New York Grand Exhibition we get a look behind the curtain.
On the occasion of the New York Grand Exhibition we get a look behind the curtain.
Today, we’re not going to do a proper “Monochrome-Style” review, detailing every element of a watch or dissecting every technical feature. Instead, we’re going to do something “for the sake of watchmaking“, for the beauty of an art – because, at a certain point, I think we can move to another level and talk about proper works of art. To illustrate this, we’re going to look at one watch, the Vacheron Constantin Traditionnelle Minute Repeater Tourbillon, by detailing some small but extremely important features, demonstrating what high-end watchmaking is… And you’ll see, it doesn’t need to be loud and demonstrative.
Sometimes we like to shake things up a bit.